{"id":5969,"date":"2025-10-08T14:05:44","date_gmt":"2025-10-08T13:05:44","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=5969"},"modified":"2025-10-28T17:35:59","modified_gmt":"2025-10-28T16:35:59","slug":"hardcore","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=5969","title":{"rendered":"Hardcore"},"content":{"rendered":"\t\t
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HARDCORE<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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7 de novembro de 2025<\/span><\/strong><\/h2>

21h00<\/span><\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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M\/16 |\u00a0 BILHETES : 10,00 EUROS\u00a0<\/span><\/b><\/span><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ser\u00e1 que actos hediondos como o Holocausto, o Massacre de Columbine ou o 11 de Setembro podem ser vistos como obras de arte? Ser\u00e1 que podemos premiar art\u00edsticamente os seus autores? Qu\u00e3o t\u00e9nue \u00e9 a linha que separa a \u00e9tica da est\u00e9tica? Num pseudo-com\u00edcio de uma pseudo-associa\u00e7\u00e3o, pseudo-partido pol\u00edtico, pseudo-organiza\u00e7\u00e3o n\u00e3o-governamental, pseudo-culto chamado ABBA: Associa\u00e7\u00e3o Bestial da Bonita Aurora, vale tudo menos arrancar olhos. O seu lema \u00e9 simples e directo: “Quo peius, eo melius.” (“Quanto pior, melhor.”) – at\u00e9 se deram ao trabalho de o escrever em latim para soar a cl\u00e1ssico. Pretendem curar a Humanidade dos seus mais odiosos v\u00edcios e, para isso, est\u00e3o dispostos a tudo, incluindo incorrer em todo o tipo de actos hediondos – desde atentados terroristas at\u00e9 genoc\u00eddios com armas qu\u00edmicas. T\u00eam sonhos molhados com a “banaliza\u00e7\u00e3o do mal” e, se poss\u00edvel, com a sua sublima\u00e7\u00e3o est\u00e9tica. At\u00e9 porque toda a gente sabe que nesta sociedade do consumo e do espect\u00e1culo, neste “simulacro de realidade” como diria Baudrillard, quanto mais hardcore for o espect\u00e1culo, mais likes e seguidores ter\u00e1 – trocando por mi\u00fados – mais guito far\u00e3o os seus actores e, sobretudo, os seus encenadores. Portanto, querido espectador, toca a comprar bilhete. Este espect\u00e1culo vai ser do melhor que h\u00e1 no mercado!<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Equipa Criativa e Art\u00edstica<\/strong><\/span><\/p><\/blockquote>

Encena\u00e7\u00e3o<\/strong><\/span>
Tiago Ribeiro<\/span><\/p>

Apoio \u00e0 Dramaturgia e Produ\u00e7\u00e3o<\/strong><\/span>
Alexandra Moreira<\/span><\/p>

Interpreta\u00e7\u00e3o<\/strong><\/span>
Al\u00e9xia Mengas
Carlos Rodrigues
Clara Zamorano
Cristina Afonso
Dalila
Em\u00edlio Costa
In\u00eas Azevedo
Isabel Andrade Silva
Jean
Joana Arantes
Jo\u00e3o Paulo Santos
Manuel S\u00e3o Sim\u00e3o
Marlua Batista
Marlene Pacheco
Maria Alice
Miguel Matos
Naomi
Paula Campos
Paula Cruz
Tiago Ribeiro
Vera Lima<\/span><\/p>

Cenografia<\/strong><\/span>
Filipe Tootil<\/span><\/p>

\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Figurinos<\/strong><\/span>
Alexandra Moreira
Miguel Lopes Rodrigues<\/span><\/p>

Design de Luz<\/strong><\/span>
Jos\u00e9 Alves<\/span><\/p>

Opera\u00e7\u00e3o de Luz
<\/strong><\/span>Afonso Lemos<\/span><\/p>

Sonoplastia e M\u00fasica ao Vivo<\/strong><\/span>
Jo\u00e3o Geraldo Gomes<\/span><\/p>

Design Gr\u00e1fico e Opera\u00e7\u00e3o de V\u00eddeo<\/strong>
Francisca Oliveira<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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HARDCORE 7 de novembro de 2025 21h00 M\/16 |\u00a0 BILHETES : 10,00 EUROS\u00a0 Ser\u00e1 que actos hediondos como o Holocausto, […]<\/p>\n","protected":false},"author":3,"featured_media":5971,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5969"}],"collection":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5969"}],"version-history":[{"count":4,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5969\/revisions"}],"predecessor-version":[{"id":6005,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5969\/revisions\/6005"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/media\/5971"}],"wp:attachment":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5969"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}