{"id":5311,"date":"2024-10-18T14:17:19","date_gmt":"2024-10-18T13:17:19","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=5311"},"modified":"2024-10-30T15:50:28","modified_gmt":"2024-10-30T14:50:28","slug":"calendulario","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=5311","title":{"rendered":"Calendul\u00e1rio"},"content":{"rendered":"\t\t
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CALENDUL\u00c1RIO<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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2 de novembro de 2024<\/span><\/strong><\/h2>

21h30<\/span><\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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M\/6 | ENTRADA GRATUITA (AT\u00c9 AO LIMITE DA LOTA\u00c7\u00c3O DA SALA)<\/span>\u00a0<\/span><\/b><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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“Esta obra, fruto da minha Form(a)\u00e7\u00e3o Criadora<\/em>, tese criada no \u00e2mbito do mestrado em Composi\u00e7\u00e3o, re\u00fane a sua inspira\u00e7\u00e3o entre o meu fasc\u00ednio pela planta cal\u00eandula e o pensamento morfol\u00f3gico goethiano, expresso no seu conceito de Bildung<\/em> \u2014\u00a0 i.e. \u201caquele que designa tanto o que \u00e9 produzido como o que est\u00e1 em vias de o ser\u201d; in Goethe, A Metamorfose das Plantas<\/em>. Esta obra \u00e9 pensada como experi\u00eancia heur\u00edstica cuja transforma\u00e7\u00e3o acontece em, e atrav\u00e9s de mim, metamorfoseando os materiais que a comp\u00f5e \u2014 a saber, o ensaio po\u00e9tico, e a obra musical. Calendul\u00e1rio<\/em>\u00a0explora, assim, a ac\u00e7\u00e3o que vai fixando a forma, no processo criativo.\u00a0
A concretiza\u00e7\u00e3o desta obra, enquanto acto criador, deu-se pela abertura de caminhos por meio do crescimento e reprodu\u00e7\u00e3o, em simult\u00e2neo, de todas as ideias, vontades, subtilezas e imprevistos.
A for\u00e7a do momento vivo \u00e9 o ponto essencial deste projecto, sendo pela reuni\u00e3o de todas as fracturas org\u00e2nicas expostas (po\u00e9ticas, musicais, e outras que pertencem \u00e0 esfera do invis\u00edvel) que o projecto morfol\u00f3gico de aperfei\u00e7oamento e reprodu\u00e7\u00e3o da obra se d\u00e1. As superf\u00edcies sonoras, liter\u00e1rias, \u00edntimas, circunstanciais, acusadas em cada nervura que se toca com outra, podem percepcionar-se como uma metamorfose, uma possibilidade de muitas, numa escrita musical que escuta intuitivamente, cuidadosamente conectada e silenciosamente aceite. Form(a)\u00e7\u00e3o Criadora<\/em> \u00e9 lugar po\u00e9tico e passagem musical – a possibilidade da cal\u00eandula enquanto prefigura\u00e7\u00e3o simb\u00f3lica e transfigura\u00e7\u00e3o art\u00edstica.”
(Catarina S\u00e1 Ribeiro, Outubro de 2024)<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Equipa Criativa e Art\u00edstica<\/strong><\/span><\/p><\/blockquote>

Composi\u00e7\u00e3o<\/strong><\/span>
Catarina Ribeiro (n. 1990)<\/span><\/p>

Dire\u00e7\u00e3o<\/strong><\/span>
Marco Pereira<\/span><\/p>

Violoncelo<\/strong><\/span>
Beatriz Machado<\/span><\/p>

Clarinete<\/strong><\/span>
Eduardo Seabra<\/span><\/p>

Harpa<\/strong><\/span>
Frederica Vieira Campos<\/span><\/p>

Voz<\/strong><\/span>
Joana Alhau<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

\u00a0<\/p>

Guitarra El\u00e9trica<\/strong><\/span>
Marco Moura<\/span><\/p>

Piano<\/strong><\/span>
Marta Nabais Leite<\/span><\/p>

Violoncelo<\/strong><\/span>
Marta Nabeiro<\/span><\/p>

Guitarra Portuguesa<\/strong><\/span>
Miguel Amaral<\/span><\/p>

Saxofone Alto<\/strong>
Rafael Gomes<\/span><\/p>

Percuss\u00e3o<\/strong>
Rodrigo Allen<\/span><\/p>

Flauta<\/strong>
Teresa Costa<\/span><\/p>

Fotografia<\/strong>
Manuela S\u00e1<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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CALENDUL\u00c1RIO 2 de novembro de 2024 21h30 M\/6 | ENTRADA GRATUITA (AT\u00c9 AO LIMITE DA LOTA\u00c7\u00c3O DA SALA)\u00a0 “Esta obra, […]<\/p>\n","protected":false},"author":3,"featured_media":5312,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5311"}],"collection":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5311"}],"version-history":[{"count":5,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5311\/revisions"}],"predecessor-version":[{"id":5323,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5311\/revisions\/5323"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/media\/5312"}],"wp:attachment":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}