{"id":5009,"date":"2024-03-15T16:38:54","date_gmt":"2024-03-15T15:38:54","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=5009"},"modified":"2024-04-11T16:29:26","modified_gmt":"2024-04-11T15:29:26","slug":"cosi-fan-tutte","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=5009","title":{"rendered":"Cosi Fan Tutte"},"content":{"rendered":"\t\t
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COSI FAN TUTTE<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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12 e 13 de abril 2024<\/span><\/strong><\/h2>

Sexta-feira – 21h00<\/span><\/strong>
S\u00e1bado – 16h30<\/span><\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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M\/16 |\u00a0 BILHETES : 5,00\u20ac\u00a0<\/span><\/b><\/span><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cos\u00ec Fan Tutte: ossia La Scuola degli Amanti (Todas Fazem Assim, ou A Escola dos Amantes), obra em dois atos de Wolfgang Amadeus Mozart com libreto de Lorenzo da Ponte, reflecte sobre alguns temas fracturantes da sociedade do tempo de Mozart, como a sexualidade, a fidelidade, o amor latto sensu.<\/p>

Ter\u00e1 sido recebida com alguma relut\u00e2ncia pelo p\u00fablico da \u00e9poca, relut\u00e2ncia essa que o tempo tratou de afagar, tal a genialidade da composi\u00e7\u00e3o musical.<\/p>

Ainda hoje os assuntos tratados nesta \u00f3pera e a teia de enganos urdida para provar o improv\u00e1vel, torna a pe\u00e7a cruel e desajustada \u00e0 luz dos valores que hoje s\u00e3o a nossa casa comum.<\/p>

Mas de que trata a pe\u00e7a?<\/p>

Apaixonados e convencidos da reciprocidade dessa paix\u00e3o, os jovens militares Guglielmo e Ferrando amam as irm\u00e3s Fiordiligi e Dorabella, jovens na casa dos quinze anos. Uma noite, acelerados pela carga et\u00edlica de um ser\u00e3o que \u00e9 rampa de lan\u00e7amento para vinte e quatro horas vertiginosas, apostam com um fil\u00f3sofo chamado Don Alfonso, a robustez dessa fidelidade.<\/p>

Durante 24 horas, industriados por D Alfonso e de forma a cumprir os tr\u00e2mites do contrato que celebraram, os dois rapazes, acolitados por Despina, p\u00f5em em causa essa fidelidade. E \u00e9 disso que a obra trata: os temas da infidelidade, questionando a institui\u00e7\u00e3o do amor rom\u00e2ntico que alimentava a sociedade bem pensante da \u00e9poca, o que fez com que s\u00f3 tardiamente esta \u00f3pera fosse reconhecida como a obra prima que efectivamente \u00e9.<\/p>

Os n\u00edveis de conhecimento e consci\u00eancia da mentira que est\u00e1 a ser jogada (hoje talvez lhe cham\u00e1ssemos fake news) t\u00eam diferentes n\u00edveis e exp\u00f5em de forma crudel\u00edssima o universo feminino, queira isso dizer o que quer que seja.<\/p>

No fim, cumpridas as 24 horas nesta pista de velocidade que \u00e9 esta estranha pista de circo, tudo se recomp\u00f5e e o universo alinha-se como se nada tivesse acontecido.<\/p>

Mas o que foi afinal que aconteceu?<\/p>

Ant\u00f3nio Dur\u00e3es<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Equipa Criativa e Art\u00edstica<\/strong><\/span><\/p><\/blockquote>

M\u00fasica<\/strong><\/span>
W. A. Mozart (1756-1791)<\/span><\/p>

Libreto<\/strong><\/span>
Lorenzo da Ponte<\/span><\/p>

Dire\u00e7\u00e3o Art\u00edstica<\/strong><\/span>
Ant\u00f3nio Salgado<\/span><\/p>

Dire\u00e7\u00e3o Musical<\/strong><\/span>
Jan Wierzba<\/span><\/p>

Encena\u00e7\u00e3o
<\/strong><\/span>Ant\u00f3nio Dur\u00e3es<\/span><\/p>

Apoio ao Movimento
<\/strong><\/span>Cl\u00e1udia Marisa<\/span><\/p>

Apoio ao Ilusionismo
<\/strong><\/span>H\u00e9lder Guimar\u00e3es<\/span><\/p>

Dire\u00e7\u00e3o Vocal
<\/strong><\/span>Ant\u00f3nio Salgado
Rui Taveira<\/span><\/p>

Cenografia
<\/strong><\/span>Carlos Neves<\/span><\/p>

Figurinos
<\/strong><\/span>Raquel Ribeiro<\/span><\/p>

Design de Luz
<\/strong><\/span>Bernardo Correia<\/span><\/p>

Assistente de Luz
<\/strong><\/span>Guilherme Mota<\/span><\/p>

Dire\u00e7\u00e3o de Cena
<\/strong><\/span>Lara Soares<\/span><\/p>

Coordena\u00e7\u00e3o, \u00c1rea de Dire\u00e7\u00e3o de Cena
<\/strong><\/span>Regina Castro<\/span><\/p>

Assist\u00eancia de Dire\u00e7\u00e3o de Cena
<\/strong><\/span>Helena Matos
Pedro Lemos<\/span><\/p>

Produ\u00e7\u00e3o Executiva
<\/strong><\/span>Ant\u00f3nio Salgado
Lara Soares
Regina Castro<\/span><\/p>

Maquilhadora
<\/strong><\/span>Ana Sousa<\/span><\/p>

Atelier e Costureira
<\/strong><\/span>Cl\u00e1udia Marques<\/span><\/p>

Produ\u00e7\u00e3o
<\/span><\/strong>\u00d3pera Est\u00fadio da Escola Superior de M\u00fasica e Artes do Espet\u00e1culo<\/span><\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Fiordiligi (soprano)
<\/span><\/strong>Ana Rosa
Beatriz Patroc\u00ednio<\/span><\/span><\/p>

Dorabella (soprano)
<\/span><\/strong>Beatriz Patroc\u00ednio
J\u00falia Anjos<\/span><\/span><\/p>

Don Alfonso (bar\u00edtono)
<\/span><\/strong>Gustavo Godinho<\/span><\/span><\/p>

Despina (soprano)
<\/span><\/strong>Rita Gama
Susana da Costa<\/span><\/span><\/p>

Ferrando (tenor)
<\/span><\/strong><\/span>Henrique Lencastre
Gabriel Neves dos Santos<\/span><\/span><\/p>

Guglielmo (baixo)
<\/span><\/strong>F\u00e1bio Soares
Pedro Santos<\/span><\/span><\/p>

Coro
<\/span><\/strong>Est\u00fadio de \u00d3pera da ESMAE<\/span><\/span><\/p>

Sopranos
<\/span><\/strong>Ana Rita Cruz, Ana Rosa, Barbara Xavier Quintais, Beatriz Patroc\u00ednio, Rita Gama<\/span><\/span><\/p>

Meso-sopranos
<\/span><\/strong>J\u00falia Anjos, Isabel Gundana, Maria Duarte, Susana da Costa<\/span><\/span><\/p>

Tenores
<\/span><\/strong>Henrique Lencastre, Jo\u00e3o Pereira, Gabriel Neves dos Santos<\/span><\/span><\/p>

Baixos
<\/span><\/strong>F\u00e1bio Soares, Gustavo Godinho, Pedro Santos<\/span><\/span><\/p>

Produ\u00e7\u00e3o Orquestra
<\/span><\/strong>Carlos Azevedo, Jorge Alves, N\u00edsia Ara\u00fajo<\/span><\/span><\/p>

Orquestra
<\/strong>Sinfonieta da ESMAE<\/span><\/p>

Violino I
<\/span><\/strong><\/span>Pedro Rebelo, Matilda Mensink, Leonor Santos, Daniela Alves, Leonor Brunner, Mariana Mendes<\/span><\/span><\/p>

Violinos II
<\/span><\/strong>Hugo Oliveira, In\u00eas Correia, Mafalda Vales, B\u00e1rbara Paradela<\/span><\/span><\/p>

Violas
<\/span><\/strong>Francisco Cymbron, Alice Peixinho, Francisco Salgado, Carolina Gon\u00e7alves<\/span><\/span><\/p>

Violoncelos
<\/span><\/strong>Marta Nabeiro, Raquel Mota, Sandro Marcondes<\/span><\/span><\/p>

Contrabaixos
<\/span><\/strong>Guilherme Fonseca, Pedro Silva<\/span><\/span><\/p>

Flautas
<\/span><\/strong>Joana Bezerra, Guilherme Nascimento<\/span><\/span><\/p>

Obo\u00e9s
<\/span><\/strong>Ana Martins, Diana Magalh\u00e3es<\/span><\/span><\/p>

Clarinetes
<\/span><\/strong>Ana Andrade, Maria Arezes<\/span><\/span><\/p>

Fagotes
<\/span><\/strong>Aurora Oliveira, Beatriz Fernandes<\/span><\/span><\/p>

Trompas
<\/span><\/strong><\/span>Carolina Silva, Lu\u00edsa Magalh\u00e3es<\/span><\/span><\/p>

Trompetes
<\/span><\/strong>Pedro da Costa, Elisabete Gorr\u00e3o<\/span><\/span><\/p>

Percuss\u00e3o
<\/span><\/strong>Bruno Silva<\/span><\/span><\/p>

Cravo
<\/span><\/strong>Lu\u00eds Duarte<\/span><\/span><\/p>

Correpetidores
<\/span><\/strong>David Ferreira, Lu\u00eds Duarte<\/span><\/span><\/p>

Circo
<\/span><\/strong>Alba Gabriel, George Swattridge<\/span><\/span><\/p>

Opera\u00e7\u00e3o das legendas
<\/span><\/strong>Ana Rosa, J\u00falia Anjos<\/span><\/span><\/p>

Design Gr\u00e1fico
<\/span><\/strong>Joana Gon\u00e7alves<\/span><\/span><\/p>

Registo Audiovisual e Imagem<\/span><\/strong>
<\/span><\/span>Carlos Filipe, Elisabete Moreira, Renata Lima<\/span><\/span><\/p>

Dura\u00e7\u00e3o Aproximada
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COSI FAN TUTTE 12 e 13 de abril 2024 Sexta-feira – 21h00S\u00e1bado – 16h30 M\/16 |\u00a0 BILHETES : 5,00\u20ac\u00a0 Cos\u00ec […]<\/p>\n","protected":false},"author":3,"featured_media":5010,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5009"}],"collection":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5009"}],"version-history":[{"count":13,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5009\/revisions"}],"predecessor-version":[{"id":5074,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/5009\/revisions\/5074"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/media\/5010"}],"wp:attachment":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5009"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}