{"id":4802,"date":"2023-11-22T15:24:06","date_gmt":"2023-11-22T14:24:06","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=4802"},"modified":"2023-12-13T10:54:51","modified_gmt":"2023-12-13T09:54:51","slug":"a-gaivota","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=4802","title":{"rendered":"A Gaivota"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

A GAIVOTA<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

14 a 17 dezembro 2023\u00a0<\/strong><\/span><\/h2>

Quinta a S\u00e1bado \u2013 21h00<\/span><\/strong>
Domingo – 16h00<\/span><\/strong><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
M\/12 |\u00a0 BILHETES : 5,00 euros\u00a0<\/span><\/b><\/span><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u201cA Gaivota\u201d de Anton Tchekhov<\/strong><\/p>

EXERC\u00cdCIO-ESPET\u00c1CULO DOS ALUNOS DO SEGUNDO ANO DE TEATRO DA ESMAE<\/p>

Escrito no final do s\u00e9c. XIX, por Anton Tchekhov, \u201cA Gaivota\u201d, assume-se, eternamente, como um dos maiores textos da dramaturgia mundial, n\u00e3o s\u00f3 pela sua intemporalidade, mas tamb\u00e9m pela riqueza permanente da sua pertin\u00eancia humana, social e hist\u00f3rica.
Nada melhor, portanto, do que um ep\u00edtome desta natureza para validar a escolha desta pe\u00e7a, quando a proposta \u00e9 explorar precisamente o trabalho de texto na interpreta\u00e7\u00e3o teatral.
A Produ\u00e7\u00e3o II do 2\u00ba ano de teatro da ESMAE apresenta um exerc\u00edcio focado, sobretudo, nas din\u00e2micas submersas do texto n\u00e3o \u00e9 dito mas que se cola, permanentemente, aos fonemas e \u00e0 grafia do que est\u00e1 escrito, \u00e0 superf\u00edcie, impulsionando e trazendo ao sentido as palavras de uma das maiores obras-primas do Teatro.
Nesta Gaivota, exploramos, sobretudo a an\u00e1lise do Tempo, na obra e nas personagens, como catalisador da a\u00e7\u00e3o. Como o grande s\u00edmbolo, onde se move o naturalismo poss\u00edvel de uma casa de campo em frente a um lago.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Equipa Criativa e Art\u00edstica<\/strong><\/span><\/p><\/blockquote>

Encena\u00e7\u00e3o<\/strong><\/span>
Rodrigo Santos<\/span><\/p>

Tradu\u00e7\u00e3o<\/strong><\/span>
Fiama Hasse Pais Brand\u00e3o<\/span><\/p>

Interpreta\u00e7\u00e3o<\/strong><\/span>
Afonso Alves | Ana Afonso Louren\u00e7o | Carolina Viegas | Andr\u00e9 Fernandes<\/span> | D\u00e1ria Pop | Fabiana Vieira | Francisca Rocha<\/span> | Isabel Quinta Lobo | Joana Leite | Jo\u00e3o Moniz | Maria In\u00eas Costa<\/span> | Mafalda Barbosa | <\/span>N\u00e9lson Moura | Teresa Trindade | Vasco Costa | Violeta Gouveia
<\/span>
Cenografia<\/strong><\/span>
Alya Melo | Beatriz Silva | Maria Eloy<\/span><\/p>

\u00a0<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Figurinos<\/strong><\/span>
Cl\u00e1udia Andrade | Mafalda Reis | Mariana Salvado | Mia Coelho<\/span><\/p>

Luz<\/strong><\/span>
B\u00e1rbara Rey | \u00c1nxela Doel<\/span><\/p>

Som
<\/strong>Francisco Monteiro<\/span><\/p>

Dire\u00e7\u00e3o de Cena & Produ\u00e7\u00e3o<\/span><\/strong>
B\u00e1rbara Godinho | Carlos Pe\u00f1a | \u00edris Murta | Samira Kutscher<\/span><\/p>

Professores Orientadores<\/strong><\/span>
Interpreta\u00e7\u00e3o: Maria Lu\u00eds Fran\u00e7a<\/span>
Apoio Voz: Patr\u00edcia Franco<\/span>
Apoio Movimento: Catarina Lacerda<\/span>
Cenografia: Helder Maia | Patr\u00edcia Pescada
<\/span>Figurinos: Berta Cardoso<\/span>
Luz: Rui Damas
Som: Diogo Franco<\/span>
Dire\u00e7\u00e3o de Cena & Produ\u00e7\u00e3o: Pedro Leit\u00e3o | Jo\u00e3o Matos<\/span><\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t
<\/div>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

A GAIVOTA 14 a 17 dezembro 2023\u00a0 Quinta a S\u00e1bado \u2013 21h00Domingo – 16h00 M\/12 |\u00a0 BILHETES : 5,00 euros\u00a0 […]<\/p>\n","protected":false},"author":3,"featured_media":4803,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/4802"}],"collection":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4802"}],"version-history":[{"count":10,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/4802\/revisions"}],"predecessor-version":[{"id":4847,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/4802\/revisions\/4847"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/media\/4803"}],"wp:attachment":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4802"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}