{"id":3529,"date":"2022-10-03T11:00:10","date_gmt":"2022-10-03T10:00:10","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=3529"},"modified":"2022-10-03T12:02:20","modified_gmt":"2022-10-03T11:02:20","slug":"apolo-descapotavel","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=3529","title":{"rendered":"APOLO DESCAPOT\u00c1VEL"},"content":{"rendered":"\t\t
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APOLO DESCAPOT\u00c1VEL<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ALMA D\u2019ARAME (PT) | FIMP\u201922<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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– 9 de outubro –\u00a0<\/strong><\/span><\/h2>

Domingo , 29 de outubro \u2013 21h00

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M\/12 |\u00a0 BILHETES : 3\u20ac a 7,5\u20ac<\/span><\/b><\/span><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cCaminhamos pelo teto, como se fosse um campo vasto. Faetonte no seu Apolo Descapot\u00e1vel, fulminante e amarelo, encontra-se suspenso entre o C\u00e9u e a Terra; em queda, muito lenta e cont\u00ednua.<\/p>

Faetonte procura o original do retrato m\u00e1gico, naufragado, o retrato de todas as cores e tamanhos, o retrato do seu amor, uma c\u00f3pia muito melhor do que o original: \u201ccomprometo-me a fazer investimentos gigantes!\u201d. H\u00e1 conspira\u00e7\u00f5es que mudam os nomes dos Planetas e transformam os Homens.<\/p>

E n\u00f3s cruzamos as m\u00e3os debaixo dos bra\u00e7os. Somos os espetadores da Cat\u00e1strofe.\u201d<\/p>

Alma d\u2019Arame regressa ao fimp. Desta vez aos comandos do seu Apolo Descapot\u00e1vel, uma pe\u00e7a que se inscreve na sua linha que cruza a dramaturgia portuguesa original, o teatro f\u00edsico e o universo do objeto.<\/p>

“We walk along the rooftop, as if it were a vast field. Phaethon in his Apollo Convertible, fulminating and yellow, is suspended between Heaven and Earth; falling, very slowly and continuously.<\/span><\/h6>
Phaethon seeks the original of the magical, shipwrecked portrait, the portrait of all colours and sizes, the portrait of his love, a copy much better than the original: “I am committed to making giant strides!” There are conspiracies that change the names of planets and transform humankind.<\/span><\/h6>
And we cross our arms, hiding our hands. We are the spectators of the Catastrophe.”<\/span><\/h6>
Alma d’Arame returns to fimp. This time at the controls of its Apollo Convertible, a play that is true to its style of crossing original Portuguese dramaturgy with physical theatre and the universe of the object.<\/span><\/h6><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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