{"id":3145,"date":"2022-02-07T17:57:03","date_gmt":"2022-02-07T16:57:03","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=3145"},"modified":"2022-10-19T17:05:22","modified_gmt":"2022-10-19T16:05:22","slug":"o-exacerbar-da-solidao-ou-mil-formas-de-tentar-preencher-um-vazio","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=3145","title":{"rendered":"O EXACERBAR DA SOLID\u00c3O OU MIL FORMAS DE (TENTAR) PREENCHER UM VAZIO"},"content":{"rendered":"\t\t
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O EXACERBAR DA SOLID\u00c3O OU MIL FORMAS DE (TENTAR) PREENCHER UM VAZIO\n<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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NAPALM
\n(Companhia de Teatro Dan\u00e7a em Conjunto ou Alternadamente)<\/small>\n\n<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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– 18 a 20 de mar\u00e7o –\u00a0<\/strong><\/span><\/h2>

Sexta-feira , 18 de mar\u00e7o \u2013 21h00
S\u00e1bado, 19 de mar\u00e7o \u2013 21h00\u00a0
Domingo, 20 de mar\u00e7o – 17h00<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

M\/18 | BILHETES : 5\u20ac a 7,5\u20ac\u00a0<\/span><\/b><\/span><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Os tempos isolam-nos entre quatro estreitas paredes e abrem-nos janelas que nos transportam para dist\u00e2ncias inimagin\u00e1veis. A proximidade f\u00edsica \u00e0 realidade \u00e9 hoje conseguida pela intelig\u00eancia tecnol\u00f3gica vazia de emo\u00e7\u00f5es. Entregues \u00e0 evolu\u00e7\u00e3o, experimentamos novas realidades, novas interac\u00e7\u00f5es com o mundo. Estamos em permanente contacto, mas parece nunca ter feito tanto sentido pensar a solid\u00e3o.
O que significa (agora) estar sozinho numa era em que estamos mais (inter)ligados do que nunca? O que \u00e9 (agora) a comunica\u00e7\u00e3o, numa era em que n\u00e3o precisamos de proximidade para passar uma mensagem? Porque continua (agora) a existir solid\u00e3o se estamos em permanente comunica\u00e7\u00e3o? Porque faz (agora) sentido pensar a solid\u00e3o numa era de globaliza\u00e7\u00e3o? O que \u00e9 esse acto de se sentir s\u00f3? O que \u00e9 estar s\u00f3? O que \u00e9, t\u00e3o simplesmente, o estar\/existir?
“o exacerbar da solid\u00e3o ou mil formas de (tentar) preencher um vazio” \u00e9 um projecto art\u00edstico que conjuga na sua concep\u00e7\u00e3o um programa de cria\u00e7\u00e3o autom\u00e1tica de texto e tr\u00eas \u00e1reas performativas (teatro, dan\u00e7a e m\u00fasica) pretendendo, num momento de particular convuls\u00e3o social, reflectir sobre a solid\u00e3o humana.
Inspirado em obras de Giacometti e no filme Holy Motors de Leos Carax, abrimos o di\u00e1logo entre artistas e n\u00e3o-artistas para potenciar a aproxima\u00e7\u00e3o de linguagens e viv\u00eancias, procurando uma manifesta\u00e7\u00e3o da express\u00e3o performativa da solid\u00e3o e, da\u00ed, trazer para o corpo, para a palavra e para a cena essas inquieta\u00e7\u00f5es.<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\"exarcebar_cartaz\"\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ficha T\u00e9cnica<\/strong><\/span><\/p><\/blockquote>

Dire\u00e7\u00e3o Art\u00edstica<\/strong>
Jaime C. Soares<\/p>

Int\u00e9rpretes<\/strong>
Daniel Pinheiro
Eduarda Alves
In\u00eas Silva
Lea Siebrecht
Beatriz Soares
Em\u00edlia Silva
Gabriela Lecour
Gabriel Lopes
Jos\u00e9 Pedro Rocha
Mafalda Barbosa
Pedro Martins
Susana Marques<\/p>

M\u00fasica Original<\/strong>
Rafael Maia<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Cenografia<\/strong>
Nuno Lucena<\/p>

Desenho Luz<\/strong>
Rui Damas<\/p>

Texto
<\/b>gerado automaticamente por computador atrav\u00e9s do Poem\u00e1rio.js, de Rui Torres [conceito] e Nuno Ferreira [programa\u00e7\u00e3o], com recolha lexical de S\u00f3nia Granja Barbosa<\/p>

Dire\u00e7\u00e3o de Produ\u00e7\u00e3o<\/strong>
S\u00f3nia Granja Barbosa<\/p>

Assistente de Produ\u00e7\u00e3o<\/strong>
Catarina Pinto e Susana Neves<\/p>

Uma Produ\u00e7\u00e3o<\/strong>
NAPALM (Companhia de Teatro Dan\u00e7a em Conjunto ou Alternadamente)<\/p>

Apoio Institucional
<\/b>Garantir Cultura
Rep\u00fablica Portuguesa \u2013 Cultura
Dire\u00e7\u00e3o-Geral das Artes
Teatro Helena S\u00e1 e Costa
ESMAE
IPP<\/p>

Agradecimentos
<\/b>Escola Art\u00edstica Soares dos Reis
Ac\u00e1cio Carvalho
Fernando Vasquez
Rui Torres<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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O EXACERBAR DA SOLID\u00c3O OU MIL FORMAS DE (TENTAR) PREENCHER UM VAZIO NAPALM (Companhia de Teatro Dan\u00e7a em Conjunto ou […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/3145"}],"collection":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3145"}],"version-history":[{"count":9,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/3145\/revisions"}],"predecessor-version":[{"id":3679,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/3145\/revisions\/3679"}],"wp:attachment":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3145"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}