{"id":2296,"date":"2021-04-28T21:05:14","date_gmt":"2021-04-28T21:05:14","guid":{"rendered":"http:\/\/thsc.pt\/?page_id=2296"},"modified":"2021-05-06T21:16:45","modified_gmt":"2021-05-06T21:16:45","slug":"liberdade-non-stop","status":"publish","type":"page","link":"http:\/\/thsc.pt\/?page_id=2296","title":{"rendered":"Liberdade Non-Stop"},"content":{"rendered":"\t\t
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LIBERDADE
NON-STOP<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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– 2 de maio –\u00a0<\/strong><\/span><\/h2>

Domingo, 2 de maio \u2013 11h00<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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M\/6 |\u00a0 BILHETES : 5\u20ac\u00a0<\/span><\/b><\/span><\/h5><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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No dia 25 de Abril de 2020 a classe de Canto do Curso de M\u00fasica Antiga da ESMAE (CMA) fez uma audi\u00e7\u00e3o online para todos a comunidade do CMA. Nesta medida, aquele grupo de jovens cantores preparam v\u00eddeos, de formato livre, que espelharam (e muito) o momento que est\u00e1vamos a viver. Chamei-lhe de \u201cLiberdade Non-Stop”<\/strong> porque, apesar de enclausurados e privados do contacto e comunh\u00e3o com aqueles com quem mais gostamos de fazer m\u00fasica, \u00e9 nestes momentos que por vezes a nossa imagina\u00e7\u00e3o vai mais longe.<\/p>

N\u00e3o eram as circunst\u00e2ncias a que estamos habituados a fazer m\u00fasica e, acrescente-se, nada sab\u00edamos sobre o futuro. Mas esta \u00e9 uma certeza que sempre existe, com ou sem pandemias: nada sabemos sobre o futuro. E, por mais desalento que se possa instalar nas nossas vidas, por mais incertezas que nos enfrentem, importa (pros)seguir e continuar a mentalizar e a materializar, gradualmente, os nossos sonhos. Importa, sim, continuar a cantar e a fazer m\u00fasica.<\/p>

Neste ano, e continuando a viver circunst\u00e2ncias id\u00eanticas acrescidas -positivamente \u2013 de algumas esperan\u00e7as, apresentamos o concerto \u201cLiberdade Non-Stop \u2013 parte II\u201d <\/strong>no Teatro Helena S\u00e1 e Costa, a 2 de Maio. Celebramos, assim, o retorno \u00e0 performance no palco, \u00e0 presen\u00e7a do p\u00fablico e \u00e0 partilha da m\u00fasica que os cantores do CMA est\u00e3o a preparar no presente semestre. \u00a0<\/p>

Magna Ferreira<\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n

Programa<\/strong><\/span><\/p>\n<\/blockquote>\nAntonio Vivaldi (1678-1741)<\/strong><\/span>\nFiliae Maestae Jerusalem<\/em>, RV 638<\/span>\n

    \n \t
  1. Filiae Maestae Jerusalem<\/em> (A1dagio – RECIT. Accompagnatto)<\/span><\/li>\n \t
  2. Sileant Zephyri<\/em> (Largo – ARIA)<\/span><\/li>\n \t
  3. \u00a0Sed Tenebris Diffusis<\/em> (Adagio- RECIT. Accompagnatto)<\/span><\/li>\n<\/ol>\nCristiana Alves – Contratenor<\/span>\nProf. J\u00falio Dias – Cravo<\/span>\n\n\u00a0<\/strong><\/span>\n\nGeorg Friedrich H\u00e4ndel (1685- 1759)<\/strong><\/span>\nCantata Figli del mesto cor<\/em><\/span>\n

    Recitativo Figli del mesto cor<\/em><\/span><\/p>\n

    \u00c1ria Son pur le lacrime<\/em><\/span><\/p>\n\u00d3pera Giulio Cesare <\/em><\/span>\n

    \u00c1ria “Va tacito e nascosto”<\/span><\/p>\nIn\u00eas Jo\u00e3o Campos – Mezzosoprano<\/span>
    Prof. J\u00falio Dias – Cravo<\/span>\n\n\u00a0<\/strong><\/span>\n\n\u00a0<\/em><\/span>\n\nDomenico Zipoli (1688-1726)<\/strong><\/span>\n\nCantata O Daliso, da quel d\u00ec che partisti <\/em><\/span>\n\nRecitativo e \u00e1ria Per pietade aure serene<\/em><\/span>\n\n\u00a0<\/strong><\/span>\n\nLouis-Nicolas Cl\u00e9rambault (1676-1749)<\/strong><\/span>\n\nCantata Orph\u00e9e<\/em><\/span>\n\nRecitativo Le fameux chantre de la Thrace<\/em><\/span>\n\n\u00c1ria Fidelles Echos de ces Bois<\/em><\/span>\n\nRecitativo Mais que sert a mon desespoir<\/em><\/span>\n\n\u00c1ria Allez Orph\u00e9e<\/em><\/span>\n\nRos\u00e1rio Tormenta – Soprano<\/span>\n\nJo\u00e3o T\u00e1vora – Flauta de Bisel<\/span>\n\nProf. J\u00falio Dias – Cravo<\/span>\n\nJean-Philippe Rameau (1683-1764)<\/strong><\/span>\n\nHippolyte et Aricie<\/em><\/span>\n\nRecitativo Pour l’auteur de mes jours<\/em><\/span>\n\n\u00c1ria Quel biens!<\/em><\/span>\n\nGiovanni Battista Pergolesi (1710-1736)<\/strong><\/span>\n\nIntermezzo La Serva Padrona<\/em><\/span>\n\nRecitativo Di\u00a0me, ch’ho\u00a0pi\u00f9 flemma d’una bestia<\/em><\/span>\n\n\u00c1ria Sempre in contrasti\u00a0con te si sta<\/em><\/span>\n\nMiguel Barreira – Bar\u00edtono<\/span>\n\nProf. J\u00falio Galv\u00e3o – Cravo<\/span>\n\nGiovanni Bononcini (1670-1747)<\/strong><\/span>\n\nCantata Gia La Stagion d\u2019Amore<\/em><\/span>\n\nRecitativo Gia la stagion d\u2019Amore<\/em><\/span>\n\n\u00c1ria Vaghe rose aprite il seno<\/em><\/span>\n\nRecitativo Pastorella gentile<\/em><\/span>\n\n\u00c1ria Ochi vezzosi<\/em><\/span>\n\nFrancisco Ricardo \u2013 Alto<\/span>\n\nAna Sousa \u2013 Viola da Gamba<\/span>\n\nProf. J\u00falio Dias \u2013 Cravo<\/span>\n

    <\/p><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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    Georg Friedrich H\u00e4ndel (1685- 1759)<\/strong><\/span><\/p>

    \u00d3pera Giulio Cesare <\/em><\/span><\/p>

    Recitativo e \u00e1ria E pur cosi… Piangero la sorte mia<\/em><\/span><\/p>

    1. G. Kapsbergerg (1580-1651)<\/strong><\/span><\/li><\/ol>

      \u00c1ria Ancora il re nasce piangendo<\/em><\/span><\/p>

      Carolina Bermejo – Soprano<\/span><\/p>

      Francisca Brum – Violino Barroco<\/span><\/p>

      Miguel Azevedo – Teorba<\/span><\/p>

      Prof. J\u00falio Dias – Cravo<\/span><\/p>

      Louis-Nicolas Cl\u00e9ramblaut\u00a0(1676-1749)<\/strong><\/span><\/p>

      Cantata Le Jaloux <\/em><\/span><\/p>

      \u00c1ria Revien printemps<\/em><\/span><\/p>

      \u00c1ria Je consens<\/em><\/span><\/p>

      Recitativo Helas! Pour mon coeur<\/em><\/span><\/p>

      Jos\u00e9 Carlos Mateus – Tenor<\/span><\/p>

      Francisca Brum – Violino Barroco<\/span><\/p>

      Ant\u00f3nio Cucu \u2013 Violoncelo Barroco<\/span><\/p>

      Miguel Azevedo – Teorba<\/span><\/p>

      Prof. J\u00falio Dias – Cravo<\/span><\/p>

      1. Carissimi (<\/strong>1605-1674)<\/strong><\/span><\/li><\/ol>

        Lamento di Maria Stuarda<\/em><\/span><\/p>

        Eunice Abranches d’Aguiar – Soprano<\/span><\/p>

        Ezekiel Martins – Teorba<\/span><\/p>

        Prof. J\u00falio Dias – Cravo<\/span><\/p>

        Prof. Xurxo Varela – Viola da Gamba<\/span><\/p>

        Jean-Baptiste Lully (1632-1687)<\/strong>\u00a0–\u00a0Cadmus et Hermione<\/em><\/span><\/p>

        Amour voy quels maux tu nous fais<\/em>\u00a0(\u00c1ria de Hermione)<\/span><\/p>

        Jean-Baptiste Lully (1632-1687)<\/strong>\u00a0–\u00a0Atys<\/em><\/span><\/p>

        Espoir si cher, et si doux<\/em>\u00a0(\u00c1ria de Cybele)<\/span><\/p>

        Michel Lambert (1610-1696)<\/strong><\/span><\/p>

        Ma Bergere est tendre et fidele<\/em><\/span><\/p>

        Bianca Alves – Soprano<\/span><\/p>

        Francisca Brum \u2013 Violino Barroco<\/span><\/p>

        Francisco Cymbron \u2013 Violino Barroco<\/span><\/p>

        Leonor S\u00e1 \u2013 Violoncelo Barroco<\/span><\/p>

        Pedro Martins – Ala\u00fade\/Teorba<\/span><\/p>

        Prof. J\u00falio Dias – Cravo<\/span><\/p>

        \u00a0<\/p>

        Professoras da Classe de Canto do CMA<\/strong><\/span><\/p>

        Magna Ferreira, Catarina Costa e Silva, Ana Mafalda Castro.<\/span><\/p><\/blockquote><\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

        LIBERDADE NON-STOP – 2 de maio –\u00a0 Domingo, 2 de maio \u2013 11h00 M\/6 |\u00a0 BILHETES : 5\u20ac\u00a0 No dia […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/2296"}],"collection":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2296"}],"version-history":[{"count":4,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/2296\/revisions"}],"predecessor-version":[{"id":2359,"href":"http:\/\/thsc.pt\/index.php?rest_route=\/wp\/v2\/pages\/2296\/revisions\/2359"}],"wp:attachment":[{"href":"http:\/\/thsc.pt\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}